Tag: #kidlitchat

Patience is a Four Letter Word

PiBoIdMo is chugging along and I am loving it. It’s very cool to see so many people engaged in the act of creating picture books. It wasn’t that long ago that I was convinced I only had one or two story ideas in me. Certainly not enough to consider actually jumping into the kidlit world.  And because I thought I had so few, I would hold them close, sheltering them from the world. And other writers. And definitely from editors.

Joining writer challenges like PiBoIdMo, and working intently on my own the other eleven months of the year, has shown me that the ideas will come. Heck, not only that they’ll come, but that I can hardly stop them. Ideas are everywhere, in fact, once you develop the habit it’s kind of hard not to notice them. Yet another reason to always carry a notepad to capture those idea in the wild. Bring them home and worry about taming the wee beasties later.

So, yes, it’s awesome that we’re cranking out ideas, but here’s the thing. Not every idea needs to be submitted. Some of our ideas, while fun at the time, just might not be good enough to see print. I’m not just deflating your balloon; mine’s losing pressure too. Let’s take a shot at re-inflating them a bit.

One of the more exciting sessions I went to at LASCBWI 11 was a panel by Jon Sciezka and Stephen Malk. They covered a lot of ground while talking about a career plan, but the real takeaway was the point that I echoed above. Not everything needs to be submitted. Say it with me, it’ll take the sting off.

Not. Everything. Needs. To. Be. Submitted.

Band-aid off? Ready to go? Great. If the National Ambassador for Young People’s Literature (emeritus) doesn’t submit every one of his ideas, maybe we should pay attention to that thought.

You see, at the end of PiBoIdMo you’re going to have a big pile of ideas to weed through. Some are going to sparkle like diamonds. Some are going to stink on ice. A handful will be worth a first draft, revision and development into well-honed manuscripts. You will (rightfully) feel awesome that you stuck with it, found the gems and pursued your craft, turning that brain-burp into a full blown story. This is what we do. We write, we revise. And then, if we’re truly brave, intelligent hardy souls, we think about submitting. And sometimes that answer’s going to be “no.”

Chin up, kid, the process has been worth the effort.

Why wouldn’t you submit your manuscript? I mean, you’ve just worked your proverbial butt off, you’ve got stamps, a well-worn copy of Writer’s Market
chock full of post-it notes and box of envelopes. Let’s go!

Hold on, little chum, let’s look at why we shouldn’t submit. This might hurt a bit, but that’s how we grow. Remember, chin up!

  1. There are too many books like yours out there in the marketplace.
  2. Your idea is preachy. We all want kids to benefit from our books, but being ham-fisted just isn’t the way to go. Take this tip from Seinfeld, “no hugging, no learning.” It worked for them, it’ll work for you. One of the top books of 2011 features a bear that eats the antagonist. Talk about no hugging, no learning!
  3. Your rhyming stinks. This is a tough one to swallow. Editors say they don’t want rhyming books, but we still see a ton of them published every year. And kids love them. “Let me rhyme”, you cry to the heavens! Well, unless you’re rhyming is flawless, unforced and serves the story, step away from the couplets, Joel.
  4. Your writing just isn’t there. Yet. This is probably the hardest one to deal with, and the most difficult to recognize. We have to be brutally honest with ourselves about our brilliant words. Are they really as good as the best picture books you’ve seen? Don’t give yourself an out by citing the books you don’t like that get published (because there are some bad ones out there). Aim high, find the writers that you like best and try to kick their butts. In a friendly, non-competitive way that involves a personal challenge of writing quality and not actual fisticuffs.
  5. If you’re submitting an idea you came up with this month you haven’t worked on it long enough. Write it up, tinker and revise. Then let it sit for a week or two. Even better, bring it to your critique group and let them have at it. Then revise again. Whittle that word count, polish those plot points, and let your manuscript mature like a fine wine.

I know the itch to send it out. I know what it’s like to bask in the glow of accomplishment from hitting “send.” But I also trust that taking a breather between the time you type the final period and the moment you get that teeny-tiny paper cut on your tongue from licking the envelope can mean the difference between “no response means no” and escaping the slush pile.

To paraphrase the immortal words of Johnny Cochran, “If it didn’t sit, you must not submit.”

UPDATE  – If you’re just starting out you might want to read this old post of mine (the same one I linked to in the comments, but I wanted to get it in the post too).


Twitter 101

I’m sure you’ve heard “you have to be on Twitter”, and you may have wondered why bother. Twitter has been lampooned for updates on what strangers have for lunch, and worse, their bathroom schedules. Who needs that?

You do. Twitter can be inane, but if you put a little time and effort in, it can also be an amazing engine of connectivity for authors, editors and publishers. Start thinking of it as a permanent floating conference, and stop thinking about Ashton and Demi.

The first step is signing up at Twitter.com. When you pick a user name, my advice is to use something as close to your real name (or pen name) as possible. The user name field provides immediate feedback on whether a name is available.

Once you’ve signed up take the time to fill out your profile.

Tip #1 – Do not select the option to “protect your tweets”. This sounds tempting, but will limit the number of followers you will get. And you want to attract followers.

Tip #2 – Fill out your profile, especially your bio. If you’re a writer, this is where you tell the Twitterverse.

Your profile and tweets are how people find you and decide whether to follow you (or not). For example, here’s my bio:

Flaming Snot Rockets! Mild mannered designer by day. Children’s book writer and illustrator by night.

People search by keywords and phrases to connect with other writers. Make sure your bio tells the right story about you.

The next step is finding people to follow. Look on your favorite authors and bloggers websites for their Twitter name and follow them. Many will follow you back right away. Some won’t. Don’t be offended. It takes time to build a good reputation online, and you’re just starting out. Now let’s look for a broader community.

Twitter doesn’t offer out-of-the-box solutions for community building, so early users had to create their own using the hashtag. A hashtag is the pound symbol, #, attached to a short description of a topic, say #kidlitchat for instance. It’s a simple, searchable, way to link related tweets.

By searching for the hashtag #kidlitchat, I discovered a weekly online chat with writers, editors and agents focused on my genre. Instead of being isolated, I now had access to fellow creatives and industry insiders.

That was just the beginning. There are dozens of hashtags and chats for just about any genre out there. Debbie Ohi maintains a page that lists many of the chats available: http://www.inkygirl.com/weekview/ .

The really cool thing about chats is that it helps overcome one of the major stumbling blocks I hear from Twitter newbies, finding people to follow. Without a doubt you will find people to follow when chatting. I keep multiple windows open when chatting. One for the chat, the other so I can click to a commenter’s Twitter page and follow them.

I guarantee that participating with thoughtful comments will get you new followers. I’ve seen the greatest boost in my own followers during and after a chat. Especially when I’ve been active in the discussion, and even better, when I’ve been re-tweeted because someone else liked my comments.

What’s a re-tweet? I’m glad you asked. A re-tweet is a method to share someone else’s tweet while properly crediting them with the thought. It’s another way to find followers, and interesting people to follow. It’s also a nice little ego-boost when you find yourself re-tweeted by someone you admire.

Which brings me to another benefit of using Twitter, access to the big dogs. Twitter can be a completely barrier free conversation. In chats, or through daily tweeting, you have the opportunity to converse with people you probably couldn’t get near otherwise. It’s an egalitarian platform that allows your ideas to rise above the noise.

I’ve found myself in Twitter conversations with the head of a world-renowned college, a talent scout for Disney, and top ranking editors and publishers in the kidlit world. For a unpublished prepublished writer from Cape Cod, Twitter presents opportunities that just wouldn’t happen outside of an expensive conference.

Getting noticed is a real benefit, but the aspect I like best about Twitter is the community. Twitter is always there, stocked with writers looking to share a laugh, critique a manuscript or throw down a word count challenge. It can be a bit intimidating at first, but if you take the time to find the right group of people to follow it can be a very rewarding experience.

You can start by following me, @heyjimhill on Twitter.